Maud Ruby is a passionate and innovative featherworker, who explores feathers and material hybridization. Combining techniques from fashion, millinery, and traditional featherworking, she envisions new material combinations (marquetry, mother-of-pearl), and new applications, particularly for decorative arts. A meeting with an artist, technician, and poet of feathers.

Since 2011, Armel Soyer has been showcasing the decorative arts of the 21st century through pieces crafted by established or emerging designers. Her preference for noble and natural materials, coupled with her affinity for artistic and technical expertise, creates a demanding and cohesive collection, presented in her three flagship locations.

For 20 years, Florence Girette has been exploring canvas painting and glass in furniture and interiors, collaborating with decorators and architects. She also creates unique paintings on mirrors. Her son, Arthur Sire, joins her, receiving her precise and spontaneous expertise.

“I love working on a large scale, becoming one with the wall, completely enveloped and captivated by colour and texture. I enjoy discovering the material, pattern, and atmosphere that will make the decor resonate with the space it’s in…”

Interview with Frédéric Rochette and Hervé Winkler, sharing the beginnings and successes of RoWin’ Atelier, created in 2011. They discuss their training, moments of realization, and crucial encounters with artisans who collaborate on the creation of their furniture pieces.

Charlotte Biltgen is an interior architect and designer. Her ambition is to create living spaces, connecting space and furniture. In constant pursuit of balance, she enjoys continuous renewal…

Artistic Director of Studio MTX, Mathieu Bassée develops this House of Art for Chanel that offers architectural embroideries. To learn more…

Maxence de Bagneux creates sculptures to inhabit. He seeks to convey the pleasure he derives from the act of creation through his works. Mysterious profiles, totems, wall art – Maxence constantly strives to expand horizons, blend techniques, and styles…

“Freedom has allowed me to break free from the boundaries and constraints of decoration to explore more personal aspects, from small-scale spaces to formats and shapes that I either choose or are imposed…”

Dedicated to handwork and the expression of materials and colour, Sonja de Monchy conceives custom glazed ceramic surfaces and objects in her studio, intended to enhance spaces.

My crafting process is usually torn between sudden impulses and rational examinations. I never or very rarely sketch before creating. I have a luxury of living across the street from my studio which provides me with an option of turning my ideas into reality in matter of moments.

“Working with glass is a passion. Although it is a temperamental material to work with, we had been captivated by its allure linked to light. Glass transparency and the myriad ways to manipulate it continually inspire our creativity.”

We are passionate about plant fibers, woven wood, leather, textiles combined with ancient craftsmanship,and, through ADÈLE Collections, we wanted to bring together and offer unique artisanal materials to designers, architects, decorators and all lovers of beautiful stories.

My world is made of light and shadow. I enjoy creating patterns that give the impression of coming out of the marquetry panels. The greatest specificity of my work is playing with perspectives. I love taking on challenges…

I work with a workshop in Jaipur, a city rich in craftsmanship, textile and jewelry creation. Fabric is my primary medium. It allows me to link art and function, and offers an intimate interaction between humans and objects.

The gesture is at the center of my weaving work. It animates the woven surface and gives that recognizable organic and spontaneous vibration in my collections.

I am trying to understand the structure of plants: how they grow, how they articulate themselves, how a stem suddenly unfurls and becomes a leaf, how a branch will divide and become a multitude of small branches.

I really enjoy the variety and creating something unique for a specific client – whether it be a hand made leather pierce or a collection of textiles for a homeware brand.

In the furniture, there is wood, sculpture, bronze.  I really like this constraint of creation, a piece of furniture, as incredible as we want it to be, remains a piece of furniture.  This does not prevent me from working with my technique on purely artistic pieces.